Craig Zobel understands that his new film, “Compliance,” makes audiences uncomfortable to the point of creeping them out. That’s kind of the point, the filmmaker says.
“There is that line,” Zobel says. “Obviously, it’s not ideal if you make something that disturbs people so much that they walk out. But this film needed to be challenging. It’s an important story because of how dark it goes. What scares me is that whole idea of who we think we are and who we are when put in a situation like this.”
Based on actual cases, “Compliance” is a fiction film essentially shot on one small set: a mock-up of a fast-food restaurant. The film deals with the manager of a fast-food restaurant (and her employees) who are manipulated by a caller claiming to be a police officer – who tells them that a young female employee has been accused of stealing from a customer. More to the point, he wants the manager to hold her until he gets there and, in the meantime, conduct a thorough search of the young woman. A strip-search.
Aside from the actual incidents (of which there were dozens), Zobel also drew on the Stanford prison experiments (which cast students as guards or prisoners, then revealed just how far the guards would go in dehumanizing the prisoners) and the Stanley Milgram experiments (in which people were instructed to shock subjects who delivered wrong answers).
Zobel still isn’t sure whether anyone can guard against a situation like this one: “That scares me – and that makes it an interesting place to talk about in an artistic way.”
A brief discussion of the Film Noir and Neo Noir genre written by: sourav sarkar More likely, a mood or tone, rather than a genre, ‘film noir’ usually refers to a period of filmmaking in France, right after World War II. First by French film critics around the 1940s. The literal translation means a ‘Black film’, seems fitting since many noticed the sense of darkness, downbeat, despair, insecurities of that time.
Often, a story would revolve around a cynical, hard-headed, male character, disillusioned from society’s norms, who would meet a beautiful, amoral, seductive female. Betrayal, manipulation, murder, all were common themes of the film noir. The violent, misogynistic views of anti-heroes are used to show the symptoms of society’s evils, moral conflict, and experiences of injustice. Often dealing with the underworld gangsters and criminals. Don’t expect many happy endings. The visual shots were taken from unusual places and use shadow and low lighting.
American crime and detective films such as The Maltese Falcon (1941), Murder, The Woman in the Window (1944), and Laura (1944) were released in France after the war, they are some all-time classics of the genre.
Neo-noir can be a separate genre on its own. Neo-noir, broadly speaking, it uses the film-noir visual aesthetics and themes and applies them to movies from the 1970s or even later noir mode. In other words, neo-noir is the modern version of the film noir but staying true to its historical themes.
Neo-noir films developed as a consequence of changing certain social attitudes. We see once more the audience building a relationship with the anti-hero. Some of the issues in neo-noir films include identity, subjectivity, generation, social consequences, and memory troubles. There may be lots of nudity and displays of sexuality, excessive violence and previously taboo subjects inclusive of pedophilia. This displays a change in society’s tolerance for content, adjustments in gender dynamics, racial diversity and so forth.
Relocating from one place to another can be a very time consuming process as you will need to put in a lot of time and effort for relocation. But the most important thing that you will need to do is to look for a real estate agent because finding a good real estate agent when relocating is the best way of getting complete peace of mind. The real estate agent will help you to find a place where you can live comfortably and will also assist you in safeguarding your financial interest when you want to buy a property.
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Real estate agents are considered as the most important part of the buying and selling process who can offer you unique experience and insights for making sure that you can enjoy a smooth and hassle free relocation, so I’m on the lookout for a good Frisco Realtor for this process. Since relocation is the most incredibly important task, you will need to look for a real estate agent who is trustworthy and reliable since property is the biggest asset for you.
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The best way to tell you about the line up for NoirCon 2012, is to let the line up speak for itself. Here it is in a nutshell or as NoirCon 2012 At-A-Glance! Take a moment to visit the websites of these talented individuals and see the noir magic that will come to life at NoirCon 2012!
NoirCon At-A-Glance 2012 [§,*]
Masters of Ceremony: Charles Benoit and Edward G. Pettit
Thursday, November 8th – Phila Mausoleum of Contemporary Art, 531 North 12th Street, 19123 www.philamoca.org, 267-
Heide Hatry – The Art of Noir
Peter Rozovsky – Project Noir Songs
The Scovilles – The Live Music of Noir
Oren Shai – The Condemned
Friday, November 9th – Society Hill Playhouse, 507 South 8th Street, 19147,
The Art of Noir – Heide Hatry
Career in C Minor – Wesley Stace, Nathaniel Larson, Cullen Gallagher (moderator)
Good Country People (Southern Noir) – Peter Farris, Vicki Hendricks, Jake Hinkson, Joe Samuel Starnes (moderator), Jonathan Woods
L.A.Noire – Megan Abbot, Lawrence Block, Joyce Carol Oates, Jonathan Santlofer (moderator), Duane Swierczynski
Double Trouble: Taking Noir Personally: Polito and Schenkar – Robert Polito and Joan Schenkar
Jeremiah Healy Interviews Otto Penzler
NoirCon 2012 Award Dinner – Penns Landing Caterer, 1301 South Columbus Blvd, 19147, 215-336-7404,
3rd Goodis Award (Block/Boxer), 3rd Kogan Award (Penzler/Kogan), 1st NoirCon 2012 Poetry Award (Polito) Music: DJ Mobita Entertainment: Grover Silcox- Tell Tale Heart
Saturday, November 10th – Society Hill Playhouse, 507 South 8th Street, 19147
True Crime – Megan Abbot, Alison Gaylin, Wallace Stroby, Dennis Tafoya
NoirCon 2012 Keynote Speaker – Robert Olen Butler
When Amish children turn 16, the rules change. They’re encouraged to experiment and explore. The idea is that teens will come back to the church after tasting the modern world. For most, this means a tentative foray — a trip to the local movie theater, or driving lessons. But for some, the experience, called rumspringa, is all about sex, parties and fast cars. Here is a story of rumspringa gone awry!
JUNE 21–An Amish man who sent hundreds of sexually charged text messages to a 12-year-old girl was arrested last week when he drove a horse and buggy to an Indiana restaurant where he had arranged a rendezvous with the child, according to police.
Nabbed in an undercover sting, Willard Yoder, 21, is facing four felony counts for allegedly soliciting sex from the minor. Yoder, pictured in the mug shot at right, is free on $20,000 bond.
In one text, Yoder told the girl that, “the proposed sex act would happen inside the buggy,” according to a Connersville Police Department report.
Yoder’s contact with the girl began with a random text sent to her phone. When the child’s parents learned of their daughter’s contact with Yoder, they took control of her phone and continued communicating with Yoder, who sent about 600 texts, as well as nude photos and explicit videos to the girl.
The parents then contacted the police, and officers took over the sting operation. After arranging the Wednesday night meeting, cops staking out the Takehome restaurant reported seeing “the outline of a carriage type buggy pulled by one horse and what appeared to be one occupant.”
Investigators noted that Yoder, who was busted outside the eatery, was cooperative and “walked his horse and buggy around the building and tied it to a post outside.” During questioning, cops reported, Yoder admitted contacting the girl’s cell phone “by chance” and “advised that he thought he was going to have sex with the girl,” whom he thought was 13.
Yoder also noted that he “realized that it was a bad decision and had never done anything like this before.”
The Malloch Apartments, 1360 Montgomery Street (Between Filbert and Alta Streets). Looking West. Bay Bridge in distance. The Malloch Apartments were designed were designed in the streamline Modern style by Irvin Goldstine and Jack S. and J. Rolph Malloch, a father-and-son architect team who were its first residents. The four story, white and silver building stands justa block south of the edge of Telegraph Hill where Montgomery Street splits into two levels, and is sheltered by English hawthorne trees, giant draecaena, and a bright shrub of pink geraniums. Bogart in third floor, front window.
Note the frosted Art Nouveau Window
Two forty foot high sgraffito murals by Alfred DuPont cover its north and west walls. One mural depicts Commerce, a strong barrel chested figure who cradles the earth in his arms. At the bottom, a freighter passes under the Bay Bridge, which was completed the same year as the Malloch.
North Wall at Filbert and Montgomery, Commerce
The current resident of Irene Jansen’s third floor apartment has posted in her window a card board cut-out of Bogart.
West Wall at Alta and Montgomery, the mural depicts Discovery, at whose feet sit a compass and a gold-rush-era clipper.
Coit Tower looking up from 1360 Montgomery Street
The famous elevator in DARK PASSAGE. A young Bogart retracing the steps. This is the most remarkable feature of the Malloch Building. It can be accessed via a silver door in the building’s lobby. The frosted glass elevator is exposed is exposed to the street and backlit, so that you can see the elevator rising in the night (as seen in DARK PASSAGE), as if through liquid silver.
Frosted window on third floor outside of Irene Jensen’s apartment.
Looking up the Filbert Steps toward Montgomery Street
Steps leading from the hill above to the Malloch Apartments at Filbert and Montgomery Streets.
Upper street where Bogart saw Madge Rapf leaving Irene Jansen’s apartment
Moving east across town to the base of the Golden Gate Bridge. Location of Bogart throwing Clifton Young (Baker) off the rock to his death at Fort Point.
IN a new television commercial for Pine-Sol cleaner shot in an over-the-top film noir style, Diane Amos, who has starred in the brand’s ads for 16 years, drives a late-model convertible on the Pacific Coast Highway in California, moonlight dappling the ocean. When she reaches an opulent home, she climbs a stairway, then opens a door to reveal a shirtless, muscular man mopping the floor. Finally Ms. Amos, sprawled on a bed strewn with rose petals and bottles of Pine-Sol as the man mops beside her, purrs the slogan: “That’s the power of Pine-Sol, baby.”